建于北宋，人杰地灵，物产丰盛，名胜古遍布，京杭大运河上唯一的一座七孔石拱广济桥沿河而建，运河穿镇而过。三十六爿半石挢连成街头巷尾，景色诱人。
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Nữ cầu thủ quyến rũ nhất thế giới nhận đãi ngộ đặc biệt ở tuyển Thụy Sĩ
古镇里吊脚楼挤着吊脚楼，黑压压的房屋从江边开始，一层一层往山上爬，曲曲折折爬满坡，错落有致，独具一格，而吴冠中先生的《老街》便诞生其间。他说，“我画过不少古老的街，此地予我突出的感受是矗立在急流上的古老的街的强劲。老街，永远听着江在呼啸、轰鸣，永远在可能被吞噬的威胁中屹立着，街上的居民家家用破罐废盆栽种着鲜花，悠悠之花笑视怒江。”
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我们肉眼看到的，或用相机拍摄的只能体现景物的实体现象，却无法表现来自于内心的意境和优美的笔触，这就是绘画的最大的好处，也是逃避现实中困惑的最好方法，心很累的时候，画就是供人休息的地方，失去的岁月成了回味的空间，浮躁不安的心情得随时抚慰。我们追求现代化生活的方式又向往回归古朴的年华，太多的感受让人言不能尽，也许这就是用画笔说话的最好方式。我用我的画笔带领我们回首从前，回味乡愁！
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新市，在清代中晚曾崛起过一个艺术家群体。他们以自己杰出的创作成就，名震九州，也还眩目扶桑，在日本产生广泛而深远的影响。
世上最美的风景在哪里，每个人都有不同的答案，但至少有一处会是江南。江南自古物华天宝之地，人文荟萃，风景秀丽，每个古镇似曾相识又各有千秋，每天吸引着无数的游客，为的就是寻找心中的江南和远去的乡愁。如今我把目光投向江南其他古镇，是因为很多古镇保存和修复比较完好，从那些美妙的掠影之中，仿佛看到了盛泽昔日的模样，一颦一笑，如在目前。所幸得到好同学归梨云女士和她的先生钱建平的大力支持，夫妇俩将几年来拍下的大量江南古镇的摄影作品提供给我，让我如获至宝，领略了各个古镇的风土人情，由此创作了江南古镇绘画系列。:江苏苏州昆山锦溪古镇.我用我的画笔带领我们回首从前，回味乡愁！
古街与江流抱合，房屋从右下角深入画面，曲折前进，或呈S形上升，至左上角随着一棵树扭转了方向，于是，冲力转化成江流波状之线，几番回荡，出了画图。镇坐之街主要由大块深灰屋顶、显示着木构架的山墙、纯白的墙面及墨黑的门窗等块状组成。黑、白、灰在交替中穿插，予视觉以曲折，表达了街之曲折。作者的匠心就专注于如何运用黑、白、灰与长、短、宽、窄，来构成人家密集、曲折入胜之滨江古镇风貌。从左上角至右下角几乎形成对角线分割，若轻视或放松了这占大半壁面积的街镇之经营，或经营之中少文章，则画境全失。